2009 December Archive
The Black Staircase
Dusting off my old computer desk at home, I came upon a bounty of dirt-encrusted 3.5 inch floppy disks. You do remember floppy disks, don’t you? Personally, they remind me of 5th grade computer lab. Anyhow, on this little black parallelagram I discovered a treasure—-an essay I wrote in sophomore year at Dana Hills High about what inspired me to become a true musician. Let me preface this with a brief backstory:
I bet some of you are curious as to how I got my start in this crazy business. It’s been quite the wild ride from fan to showman, but I would have to say that much of my motivation arose from a few meager performances at a middle school auditorium.
In seventh grade I suddenly realized that there was more to the musical landscape than playing the saxophone in a crappy out-of-tune orchestra, and that I was destined for something more. That was when i decided to eschew the bass guitar I’d been dabbling in nonchalantly for something with a couple more strings. The very same year I played “The Middle” by Jimmy Eat World at the Niguel Hills Middle School talent show. Needless to say, it was an inspiring and fortuitous moment for me, feeling the excitement and love of hundreds of people watching my every move. After that I became a machine dedicated to conquering the collection of wood and metal we know as the guitar.
By eighth grade, I had gathered a couple of other like-minded roustabouts together to play in what we thought was a band. Several roster changes later, we were ready for the next talent show, this time with the infamous power trio of guitar, bass, and drums. Included in this lineup was current thatwasthen drummer, Chris Bridge.
I think you’ll enjoy this little essay from my raw 15 year old brain, back when I still remembered a veritable cornucopia of million-dollar vocab words. It’s pretty humorous how I make this little talent show sound like the most epic thing of all time!
“Nick Papageorge
Mr. Vermeulen
English II Acc.
7 September, 2004
The Black Staircase
The stress grew and grew until it was all that I could think about, like that catchy song you absolutely loathe but just can’t stop singing. It bore down on me unceasingly as the time ticked slowly by. The inexorable performances and occasional eruptions of applause began to drone on into an indefinite blur of disco hits and choreography. A sea of cheaply made plastic chairs squeaked and groaned as proud parents fueled their arrogant children’s egos, but the only sound I heard was the persistent, anxious tapping of my own faded high top shoes upon the cement ground. Suddenly the tempo was broken. “Are you nervous?” My band-mate Adam inquired in an attempt at convincing himself that he wasn’t. Chris, our drummer, peered around from his adjacent seat to show he was wondering the same thing. “Nah, of course not,” I replied assuredly. “If anything I’m just excited.” I tried to make myself believe that statement, but I knew I had lied when I felt my hands tremble upon the neck of the white Stratocaster in my lap. My resolve was unbreakable, or at least I thought if I could make my friends think that, at least theirs would be. Strumming a few arbitrary chords, I set my gaze intently upon the black staircase in front of me, the one we three would be ascending in time. Our band had practiced far too long and too hard to mess this talent show up, and we would make sure it went off without a hitch.
Moments turned into minutes, which then proceeded to join together and form a half-hour. Down, down through the program I followed the acts as they slowly dwindled, the anxiety growing as the performers in the chairs before us left their seats. “Warming up” on my guitar quickly became an excuse to stop myself from tapping my feet, and all the usual questions flew threw my mind like a hurricane of self interrogation. “Do you know all the parts? Gotta make sure you know the lyrics…wait, what were the chords in the bridge again?” Then it turned into curiosity and fear. “Hm…I wonder how strong this P.A. is. Will my amp be loud enough? What if the inept stage crew set it up wrong? What if nobody can hear me during the solo? Sure hope I don’t drop my pick.” Forcing myself to forget these worries I talked to Adam about the present acts, critiquing them to boost confidence. We whispered back and forth until a familiar sound interrupted the conversation: “…ick Papageorge, and the band Switch performing a song by…” I cursed silently at myself for not paying attention and hurriedly ushered my friends to the stage. After emerging from the dark stairwell, we entered another world. The bright house and spotlights beat down without mercy as Adam took up his bass and Chris sat down at the drums. My little Marshall amp was too far back so I nudged it up to the forefront. Hey, at least the crew managed to not completely destroy it. With a flick of the switch (no pun intended), the amplifier glowed and came to life. I muttered something witty but forgettable into the mic as I fiddled with my cord, only to break the deafening silence in my head. When I returned to reality I became cognizant of the hundreds of faces staring back at me, and our names being chanted in anticipation. Now was the time.
The distorted roar of an E power chord, a deep, ominous rumble, and the continuous thud of the bass drum signaled that the band was ready to play. A few glances where exchanged and I steadied my hand upon the guitar. Wielding my pick like a medieval weapon I catapulted into the intro of the song. The musical tension built as I bobbed my head in time, hair whipping around in reply. Chris beat on the snare drum and crescendo’ed into a manic volume, and then finally there was resolution. The whole band kicked in at one time as the crowd exploded with applause. Adam and I leaped into the air in time with the beat; it was all choreographed but somehow spontaneous and wild. We had gotten off to a great start and absolutely nothing had gone wrong, but I didn’t want to jinx it so I kept my mind on the music and my doubts.
“She’ll do right now!” I belted, managing to control my voice so it didn’t crack like it did in rehearsal. The note was high, but I was getting used to it. After the sing-along chorus, I again ricocheted into the catchy intro riff, this time the full band backing me up. I become so distracted with getting the notes right that I forgot the second verse was soon. Then, panic set in. I could not remember the words for the life of me, and the next singing opportunity was coming up quickly. Hundreds of lyrics to every song imaginable went on a rampage in my head as I racked my brain for the mystery verse I had once known so well. While this was occurring I still had to focus on playing guitar, but at this point it had become so automatic, it was as if my hands were on cruise control. Only one measure left! I had to think fast…what were those words? The music abruptly ceased at the break and my mouth acted by its own will, forming the syllables my mind could not find. “I used to hang on every word/Each lie was more absurd!” Yes, success! The now-conquered verse was well behind us, but there was no time for thinking. Chorus number two came into effect as the impending guitar solo loomed in the distance. “She may not be miss right, she’ll do right now!” I sang the familiar ending once again and then immediately diverted my attention towards the guitar. I shook my head to get the long brown hair out of my eyes as acrid sweat dripped into my mouth. Vaulting up the high E string in a flurry of notes, I bent down until my back hit the ground. Jumping back up again I resumed rocking out until a turning point in the solo, at which I began to leap across the stage in a Chuck Berry-esque manner. That REALLY got the full-auditorium going, and they cheered and yelled in satisfaction. The worst was now over, and the song eased into the slow bridge. Once again the tension built up and we burst out into a final chorus. Upon playing the last chord, we decided it wasn’t a satisfactory ending to such a great performance, and furiously strummed the note in defiance. Chris let out an amazing drum solo as I aggressively slammed my hand into the guitar almost falling over backwards into his set. We all looked at each other, and with one last hit of the crash cymbal it was all over. The audience was ecstatic as Adam and I removed our equipment and once again traveled down that staircase, looking back upon the new world we had just discovered for the first time.
We watched the show a bit longer; enough to see the band following ours perform. They played an original song, which made it all the more horrible, because it was written by eighth graders. Both of the groups adjourned outside afterwards to talk with friends and family at the outside stage. Even though our performance blew theirs out of the water, somehow they were surrounded by girls as we sat alone with one or two admirers visiting every minute or so. We would get some odd strangers going on tirades about how good we were, but it was never as many as they had. Sometimes the good things in life get the least recognition. But even as they became engulfed with no-talent, musically uneducated airheads, I still knew we succeeded in our goal. We came, we rocked, and we conquered. I got my first glimpse of my future passion that warm May evening, and it was all because of that little, black staircase.”
Steve Jordan: The Groove is Here
I just picked up the latest issue of Drum! and was very excited to see Steve Jordan on the cover. Steve is one of my favorite drummers because of the way he approaches playing the drums. He is one of the most musical drummers out there and always plays what’s best for the song. Since watching him play and listening to some of his insight, I have picked up a lot of valuable knowledge on playing the drums and being a musician in general.
For a long time I was far too interested in being able to play the fastest or being able to play the craziest fills. I thought that’s what being a great drummer was. Although they were in the back of my mind, I never really thought of the groove or being a great time keeper. That sounds funny as that those things are the most important aspects of drumming. It’s all about the feel and playing in the pocket (which is very self gratifying but not in that kind of way.) Steve taught me that simplicity is not stupidity and that the groove is what drumming is all about. Here is a clip from his dvd The Groove is Here. This instructional video is my favorite of the dozens in my library as it teaches drumming as an art rather than a technical motor skill. This is a dvd in which all musicians and not just drummers can take valuable information from.
Brenton’s Holiday LoveFest – Benny Dacks
In the spirit of the holidays, and the joys of expressing your love and appreciation for those close to you, I am writing about my bandmates. I want them and the world to know how much I appreciate their hard work and the people that they are. Part Three: Benny Dacks.
What Benny has, I lack. His understanding of the forward progress of mankind and humanity make him almost prophetic. And he’s not even a socialite! He’s a computer whiz.(but do we need to delve into that? See: http://thatwasthenmusic.com for proof of his extraordinary vision.)
Instead of musing on his computer prowess, I’ll share a story that’s particularly pertinent on a day like today. No one in thatwasthen is a rich kid. We work hard for what we have, and we appreciate it as hard as we work. Today the band gave their families a personalized DVD for Christmas. We had little else to give but our thanks and our hard work. Ben is an example of that hard work. He and I spent countless hours over the past three weeks putting together something heartfelt but palpable. And when I had to go to work to keep my lights on, he was working by himself. Mixing audio, cropping pictures and designing something we were proud enough to show our families. This is where Ben’s value as a friend and a bandmate TRIPLES. Having the know-how and the focus is one thing, but the drive to carry out one’s own vision is another.
Ben will teach us all how to dream up our goals and then ACTUALLY go about making them a reality. If I had any problem with any thing, I’d bring it to Ben. Because he doesn’t panic. He’s comfortable solving problems. I’m more into whining about them.
He left a few days ago to spend some much-needed time with his family in Rhode Island, and we already miss him. When he returns we will resume class with Prof. Benny Dacks.
Much love to you and your family, Ben. I hope you don’t freeze out there! We need those bass-strummin’ fingers!
Benny gets LOOOOWWW when he plays the bass.
Chorder

I will admit, out of the five of us I know the least about music theory. I’ve always learned by ear and simply by playing what I think sounds ‘right’. Initially, I learned by trial and error. One can argue the pros and cons of classical training versus teaching yourself, however I feel it is a moot point. If you can play, you can play. What goes on between your brain and the instrument is the true beautiful mystery that is music.
With that said, I’ve decided to make another attempt to learn the fundamentals of my favorite programming language: Sound. I’ve found a great site called ChordER. If you’re struggling with the basics, I suggest you check it out. Inside you’ll find a great interactive tool that will now only show you how to play chords, but what actually goes into the tonal structure of the sounds you’re creating.
Brenton’s Holiday LoveFest – Nicky P
In the spirit of the holidays, and the joys of expressing your love and appreciation for those close to you, I am writing about my bandmates. I want them and the world to know how much I appreciate their hard work and the people that they are. Part Two: Nicky P.
Nick made an impression on me very early in our relationship. As an easy-going but focused person, his very being presents challenges too tempting to avoid. Obviously we can all speak volumes about Nicky’s talent. He is an extremely passionate and multi-faceted musician. His musical theory is constantly expanding, just as his mind is.
Musical talent aside, much can be derived from the methods he used to develop his talent. We know he didn’t just wake up one day and start ripping like Steve Vai. It took time and hard work, and that’s a quality you can’t ignore. When it comes down to it, Nick can be a very hard worker. His passion drives his creativity and it’s because of his need to express something through music that makes him a perfect friend and band mate. Nicky chooses to slow down so that we can all keep up. He’s too smart, too psychic to ignore what’s coming.
My favorite thing to do with Nicky is share my lyrics and discuss poetry. In school, I always saw poems and art with a much different perspective than most. Nicky is the same way, but different comes with a unique view that I can’t ignore. We are constantly sharing notes and napkin-scribbled quatrains to see what each other thinks.
Nick inspires me. He makes me proud. He makes me jealous! And I am proud to call him my brother. I truly want nothing but the best for him… because he deserves it.
I love you, Nicky! A Merry Christmas & Kisses to the Amazing Papageorges!
We call him Das Wunderkind…
Geek Poem
I found this amazing programmer’s poem today and thought I’d share it. The idea is to read each character as it would be read if by a programmer. For example the character ‘<’ would be read as ‘Walla’, and “!” as Bang. See the translation below if you have no idea what I’m talking about.
The text of the poem follows:
<>!*''#
^"`$$-
!*=@$_
%*<>~#4
&[]../
|{,,SYSTEM HALTED
The poem can only be appreciated by reading
it aloud, to wit:
Waka waka bang splat tick tick hash,
Caret quote back-tick dollar dollar dash,
Bang splat equal at dollar under-score,
Percent splat waka waka tilde number four,
Ampersand bracket bracket dot dot slash,
Vertical-bar curly-bracket comma comma
CRASH.
SOURCE: INFOCUS magazine. Original authors, Fred Bremmer and Steve Kroese of Calvin College & Seminary of Grand Rapids, MI. [pligg]
Brenton’s Holiday LoveFest – Nathan Longdon
In the spirit of the holidays, and the joys of expressing your love and appreciation for those close to you, I am writing about my bandmates. I want them and the world to know how much I appreciate their hard work and the people that they are. Part One: Nathan Longdon.
I am so lucky and blessed to know Nathan Longdon. He could possibly be the one person in this world who knows how to handle me at my worst. He is extremely intuitive and social, and the feature that stands out the most is his exuberance. Nathan is a smiling person. Always. That’s what he does; he smiles. I’m sure many of you have seen him onstage, with a big grin on his face, dancing around like a baby bird trying to step out of the nest for the first time.
Nathan and I met when I was in high school, (he was only 10 at the time, but was still taller than me) and I remember having an instant connection to him. His sister Brittany and I were classmates and great friends. Nate and I just hit it off. Everytime he came around school we were shootin’ the shit.
If I recall, it was on my naive advice that Nathan took up the guitar. I simply told him, “If you wanna get girls… play this!” I taught him a few tunes that he learned very quickly and soon he had surpassed my musicianship. By the time he got to high school he was an accomplished guitarist… and then he got his education!
I am able to talk with Nathan unlike anyone else. He is so direct and honest and focused that I find myself searching for things to talk about with him, just so I get to hear what he’s going to say. It is for these reasons, among many others, that I write about my brother Nathan Longdon. He’s a great hugger and an even greater friend.
Happy Holidays, Nathan and family! I love you!
one of my favorites
Smog
I’ve been in Los Angeles for about two years and up until now I’ve never really considered myself to be affected by this foreign environmental anomaly that you Californians affectionately refer to as Smog.

"Smog, are you farting up some more death?"
Sure, I’ve seen it. How can one not? Now, you must understand that in Rhode Island (where I lived previously) we do not have smog. The air is much cleaner and is more or less free of the noxious amalgamation of carbon emissions, taco stand fallout and the homeless decay. I’m not saying it’s perfect, but it doesn’t do what I’m about to explain.
A little about Los Angeles:
- Almost 15 million people
- 22,000 miles of roads
- 5 million licensed drivers
- who the hell knows how many un-licensed drivers
- and up to 3 dogs per house (the sidewalks are covered in dog-shit)
When I step outside to take a walk, I breathe in my first breathe of air and almost feel as if I’m in an abandoned 15 week old sushi joint, upside down, with a small midget sending assorted raw beefs through a woodchipper in my general direction: sick. I guess it took a while to set in. Perhaps it’s gotten worse this year than last. I’m not Al Gore. I really don’t know.
One reason why I’m psyched we’re booking outside of LA:
- I will get to breathe clean air and feel the amps shaking the stage beneath my feet while rocking out for people who have no idea who we are.
Nicky P (Attempts) Taking on Jazz
GOOD TIDINGS, all! I hope everyone’s having a good non-denominational holiday!
In the words of the Dean on Community, “MERRY HAPPY!”
To get in the spirit of the season, the very same Nicky P that you know as a rock n’ roll lead guitarist is presenting directly to you for the first time his attempts at playing the piano.
Cute, I know. I really should’ve listened to my mother when she tried to get me to start up piano lessons as a tot. Of course, back then, I didn’t want to be “forced” to do anything, so I adamantly refused. Maybe if I followed through this video would be cleaner? But hey, it’s jazz! All those rhythmic changes and stops are totally hip and purposeful.
Without further ado, my version of “Ding Dong, Merrily on High.” Enjoy, and once again, happy holidays!








