Nicky P Archive
Top 40 Charts Explained
As I was surfing the series of tubes we know as the internets, I came upon this amazing article from The Times entitled:
“Teenagers’ Music Taste is Determined by Their Desire To Conform”
In it, reporter Murad Ahmed discusses research conducted on kids 12 to 17. After being played a song, they were asked to review it. Later, when the children were about to hear the track for the second time, the researchers primed them for the second review with a chart that revealed how many times the song had been downloaded.
The second time the teens heard this hit, nearly three quarters of them rated it more positively. Brain scans revealed that the type of neural activity associated with fear and peer pressure showed up when the listeners were hearing a song they were told was popular.

"Not only does this pirate drink make us cooler, it makes listening to Kei$ha so much easier! Now we'll never feel awkward when we're the only ones not shouting the nasty bits at the 8th grade dance!"
While The Times article goes on to talk about how this opinion shift is motivated by social fear, personally, as a professional musician, I want to focus more on the implications it has in the music industry.
Bahahah, sorry I couldn’t say that with a straight face. What I meant to say is the implications this issue has in the REAL world… because it’s clear to me that The Music Industry is a lumbering, dying beast. At least as long as it sticks to bullying litigation and old, outdated models of business.
Anyway, as I was saying, in the real music scene today what this fear of nonconformity equates to is half-baked artists garnering much more popularity than they deserve based purely upon their talent or songwriting (for those who even write them).
Allow me to explain. The main thrust of this article is that peer pressure and fear are two deciding factors in a teenagers’ music preferences, and since they are the record industry’s target audience, they determine the bogus stuff that plays on the Top 40 Charts. Crappy, dispassionate and poorly written music will dominate the charts, because in an effort to conform, impressionable young people mistake its vulgarity and gimmicky mimicry for quality.
Enough gullible kids jump on the band wagon, and suddenly something is worthy of listening to, even—-gasp!—-of purchasing. But you know what? The rest of us (those who are no longer minors, however recently) have power, too. If we all decide to band together and really support music that is worth supporting, suddenly it is we who determine what is remembered and what isn’t.
Lets make like a oppressive dictatorship and rewrite our own history, eh?
-NP
Source: “Teenagers’ Music Taste is Determined by Their Desire To Conform”
Meditation on Hatred
I was reading a poem by Charles Bukowski today (see end of post) when I realized something.
I know it feels natural to let hatred flow, to be indiscriminate in your condemnation of everything that is opposed to you. Everyone does it. You don’t think you do? Just think of that one band you hate. Yeah, that one. GOD, they’re annoying right? Their crime always seems to end up being that maybe, somehow, their ineptitude distracts a gullible audience long enough that they miss the truly amazing art that can only be found in other places.
(This doesn’t just have to apply to music. There are so many things in this world that just seem so irritating or overrated that hatred seems to follow them wherever they go)
But no one ever stops to think why it is exactly that we hate what we hate. Sure, sometimes the reasons are rational; maybe the band in question has horrible production, maybe their music is trite and boring (to you). But if you really question your own opinions, most of the time this seemingly reasonable hatred stems from another place.
This is why whenever I catch myself in a cycle of cynicism and criticism, I resist the urge to be a completely negative person who can’t enjoy life and instead try to gain some perspective. Attempting to really understand why someone enjoys something so much does wonders for your world view.
It makes me wonder about things like Haiti…not to place judgment on anyone, but how many people do you think are genuinely worried about Haiti? How could they be? How could they possibly imagine that kind of horror? The only way you can even begin to understand how terrible that must be is to try to put yourself in someone else’s shoes. Which is exactly what this poem did for me.
And before I become too much like “the preachers” in it, I want you to read The Genuis of the Crowd by Charles Bukowski.
Think about it.
The Genius Of The Crowd
Charles Bukowski
there is enough treachery, hatred violence absurdity in the average
human being to supply any given army on any given day
and the best at murder are those who preach against it
and the best at hate are those who preach love
and the best at war finally are those who preach peace
those who preach god, need god
those who preach peace do not have peace
those who preach peace do not have love
beware the preachers
beware the knowers
beware those who are always reading books
beware those who either detest poverty
or are proud of it
beware those quick to praise
for they need praise in return
beware those who are quick to censor
they are afraid of what they do not know
beware those who seek constant crowds for
they are nothing alone
beware the average man the average woman
beware their love, their love is average
seeks average
but there is genius in their hatred
there is enough genius in their hatred to kill you
to kill anybody
not wanting solitude
not understanding solitude
they will attempt to destroy anything
that differs from their own
not being able to create art
they will not understand art
they will consider their failure as creators
only as a failure of the world
not being able to love fully
they will believe your love incomplete
and then they will hate you
and their hatred will be perfect
like a shining diamond
like a knife
like a mountain
like a tiger
like hemlock
their finest art
Fender American Standard Stratocaster Review
I may not have the best nose in the world, but I definitely smell an Oscar.
Check out my behind the scenes, professionally (cough) edited video review of my brand spankin’ new guitar.
It’s sexy, and it’s informative. Just like your 6th grade history teacher! Oh, Mrs. Young, we miss thee, what with your poor-man’s-Angelina-Jolie looks and proclivity to trip over violins. Every time you mispronounced obelisk I swooned.
Err…what was I saying? Right. PAPA’S GOT A BRAND NEW GUITAR! Check this thang out mang, you won’t regret it!
The Black Staircase
Dusting off my old computer desk at home, I came upon a bounty of dirt-encrusted 3.5 inch floppy disks. You do remember floppy disks, don’t you? Personally, they remind me of 5th grade computer lab. Anyhow, on this little black parallelagram I discovered a treasure—-an essay I wrote in sophomore year at Dana Hills High about what inspired me to become a true musician. Let me preface this with a brief backstory:
I bet some of you are curious as to how I got my start in this crazy business. It’s been quite the wild ride from fan to showman, but I would have to say that much of my motivation arose from a few meager performances at a middle school auditorium.
In seventh grade I suddenly realized that there was more to the musical landscape than playing the saxophone in a crappy out-of-tune orchestra, and that I was destined for something more. That was when i decided to eschew the bass guitar I’d been dabbling in nonchalantly for something with a couple more strings. The very same year I played “The Middle” by Jimmy Eat World at the Niguel Hills Middle School talent show. Needless to say, it was an inspiring and fortuitous moment for me, feeling the excitement and love of hundreds of people watching my every move. After that I became a machine dedicated to conquering the collection of wood and metal we know as the guitar.
By eighth grade, I had gathered a couple of other like-minded roustabouts together to play in what we thought was a band. Several roster changes later, we were ready for the next talent show, this time with the infamous power trio of guitar, bass, and drums. Included in this lineup was current thatwasthen drummer, Chris Bridge.
I think you’ll enjoy this little essay from my raw 15 year old brain, back when I still remembered a veritable cornucopia of million-dollar vocab words. It’s pretty humorous how I make this little talent show sound like the most epic thing of all time!
“Nick Papageorge
Mr. Vermeulen
English II Acc.
7 September, 2004
The Black Staircase
The stress grew and grew until it was all that I could think about, like that catchy song you absolutely loathe but just can’t stop singing. It bore down on me unceasingly as the time ticked slowly by. The inexorable performances and occasional eruptions of applause began to drone on into an indefinite blur of disco hits and choreography. A sea of cheaply made plastic chairs squeaked and groaned as proud parents fueled their arrogant children’s egos, but the only sound I heard was the persistent, anxious tapping of my own faded high top shoes upon the cement ground. Suddenly the tempo was broken. “Are you nervous?” My band-mate Adam inquired in an attempt at convincing himself that he wasn’t. Chris, our drummer, peered around from his adjacent seat to show he was wondering the same thing. “Nah, of course not,” I replied assuredly. “If anything I’m just excited.” I tried to make myself believe that statement, but I knew I had lied when I felt my hands tremble upon the neck of the white Stratocaster in my lap. My resolve was unbreakable, or at least I thought if I could make my friends think that, at least theirs would be. Strumming a few arbitrary chords, I set my gaze intently upon the black staircase in front of me, the one we three would be ascending in time. Our band had practiced far too long and too hard to mess this talent show up, and we would make sure it went off without a hitch.
Moments turned into minutes, which then proceeded to join together and form a half-hour. Down, down through the program I followed the acts as they slowly dwindled, the anxiety growing as the performers in the chairs before us left their seats. “Warming up” on my guitar quickly became an excuse to stop myself from tapping my feet, and all the usual questions flew threw my mind like a hurricane of self interrogation. “Do you know all the parts? Gotta make sure you know the lyrics…wait, what were the chords in the bridge again?” Then it turned into curiosity and fear. “Hm…I wonder how strong this P.A. is. Will my amp be loud enough? What if the inept stage crew set it up wrong? What if nobody can hear me during the solo? Sure hope I don’t drop my pick.” Forcing myself to forget these worries I talked to Adam about the present acts, critiquing them to boost confidence. We whispered back and forth until a familiar sound interrupted the conversation: “…ick Papageorge, and the band Switch performing a song by…” I cursed silently at myself for not paying attention and hurriedly ushered my friends to the stage. After emerging from the dark stairwell, we entered another world. The bright house and spotlights beat down without mercy as Adam took up his bass and Chris sat down at the drums. My little Marshall amp was too far back so I nudged it up to the forefront. Hey, at least the crew managed to not completely destroy it. With a flick of the switch (no pun intended), the amplifier glowed and came to life. I muttered something witty but forgettable into the mic as I fiddled with my cord, only to break the deafening silence in my head. When I returned to reality I became cognizant of the hundreds of faces staring back at me, and our names being chanted in anticipation. Now was the time.
The distorted roar of an E power chord, a deep, ominous rumble, and the continuous thud of the bass drum signaled that the band was ready to play. A few glances where exchanged and I steadied my hand upon the guitar. Wielding my pick like a medieval weapon I catapulted into the intro of the song. The musical tension built as I bobbed my head in time, hair whipping around in reply. Chris beat on the snare drum and crescendo’ed into a manic volume, and then finally there was resolution. The whole band kicked in at one time as the crowd exploded with applause. Adam and I leaped into the air in time with the beat; it was all choreographed but somehow spontaneous and wild. We had gotten off to a great start and absolutely nothing had gone wrong, but I didn’t want to jinx it so I kept my mind on the music and my doubts.
“She’ll do right now!” I belted, managing to control my voice so it didn’t crack like it did in rehearsal. The note was high, but I was getting used to it. After the sing-along chorus, I again ricocheted into the catchy intro riff, this time the full band backing me up. I become so distracted with getting the notes right that I forgot the second verse was soon. Then, panic set in. I could not remember the words for the life of me, and the next singing opportunity was coming up quickly. Hundreds of lyrics to every song imaginable went on a rampage in my head as I racked my brain for the mystery verse I had once known so well. While this was occurring I still had to focus on playing guitar, but at this point it had become so automatic, it was as if my hands were on cruise control. Only one measure left! I had to think fast…what were those words? The music abruptly ceased at the break and my mouth acted by its own will, forming the syllables my mind could not find. “I used to hang on every word/Each lie was more absurd!” Yes, success! The now-conquered verse was well behind us, but there was no time for thinking. Chorus number two came into effect as the impending guitar solo loomed in the distance. “She may not be miss right, she’ll do right now!” I sang the familiar ending once again and then immediately diverted my attention towards the guitar. I shook my head to get the long brown hair out of my eyes as acrid sweat dripped into my mouth. Vaulting up the high E string in a flurry of notes, I bent down until my back hit the ground. Jumping back up again I resumed rocking out until a turning point in the solo, at which I began to leap across the stage in a Chuck Berry-esque manner. That REALLY got the full-auditorium going, and they cheered and yelled in satisfaction. The worst was now over, and the song eased into the slow bridge. Once again the tension built up and we burst out into a final chorus. Upon playing the last chord, we decided it wasn’t a satisfactory ending to such a great performance, and furiously strummed the note in defiance. Chris let out an amazing drum solo as I aggressively slammed my hand into the guitar almost falling over backwards into his set. We all looked at each other, and with one last hit of the crash cymbal it was all over. The audience was ecstatic as Adam and I removed our equipment and once again traveled down that staircase, looking back upon the new world we had just discovered for the first time.
We watched the show a bit longer; enough to see the band following ours perform. They played an original song, which made it all the more horrible, because it was written by eighth graders. Both of the groups adjourned outside afterwards to talk with friends and family at the outside stage. Even though our performance blew theirs out of the water, somehow they were surrounded by girls as we sat alone with one or two admirers visiting every minute or so. We would get some odd strangers going on tirades about how good we were, but it was never as many as they had. Sometimes the good things in life get the least recognition. But even as they became engulfed with no-talent, musically uneducated airheads, I still knew we succeeded in our goal. We came, we rocked, and we conquered. I got my first glimpse of my future passion that warm May evening, and it was all because of that little, black staircase.”
Nicky P (Attempts) Taking on Jazz
GOOD TIDINGS, all! I hope everyone’s having a good non-denominational holiday!
In the words of the Dean on Community, “MERRY HAPPY!”
To get in the spirit of the season, the very same Nicky P that you know as a rock n’ roll lead guitarist is presenting directly to you for the first time his attempts at playing the piano.
Cute, I know. I really should’ve listened to my mother when she tried to get me to start up piano lessons as a tot. Of course, back then, I didn’t want to be “forced” to do anything, so I adamantly refused. Maybe if I followed through this video would be cleaner? But hey, it’s jazz! All those rhythmic changes and stops are totally hip and purposeful.
Without further ado, my version of “Ding Dong, Merrily on High.” Enjoy, and once again, happy holidays!
Morpheus
…was the Greek god of sleep and dreaming. We’re not talking The Matrix here, people, so if you’re disappointed go ahead and click the back button now.
Due to my extensive knowledge of mythology that surely isn’t just comprised of facts gleaned from Wikipedia (read: yes it is), I know that Morpheus‘ uncle was Thanatos—the god of death.
I bet that was an interesting Thanksgiving. Right about now would’ve been a good time to insert a still from the Monty Python “Salmon Mousse” sketch, which appropriately features the Grim Reaper at a dinner party. Alas, Google Images fails me again:
[Alternative joke that requires a little 'shopping. picture of Grim Reaper pasted over Thanksgiving scene? Hilarious hijinks, speech bubbles?]
So anyhow, Thanatos, being like the cool uncle that buys you alcohol, decides to give his nephew a little gift. Using his unspecified badass godly powers, uncle Thanny deposits upon wee Morpheus’ tender trapezius a pair of feathery wings. These enable the deity-child to fly around the Earth, and somehow by extension into peoples minds and through their dreams. The word morph actually stems from this guy’s name, because of his notable ability to change into the form of any human in your dreams.
You may be curious as to why I would share this mythological dissertation with you. Well, besides being a practice in the art of witty caption writing, what I truly want to discuss was a strange dream I had last night. Morpheus came to me in my sleep in the form of Brent, Chris, Nathan, Benny, a sizzling amplifier, and a goddam T-rex.
For some reason, in my dream, thatwasthen was playing at Wild Rivers…if you’re not aware, Wild Rivers is a water park based out of Irvine that is rivaled only by its competitor Raging Waters for sheer ratio of piss to chlorine. For more insights, see graph:
So we were playing in this little shack surrounded by the aforementioned visitors, which really isn’t too foreign a thought to me, because Chris and I actually played there in eighth grade in a different band and a different life. You might be wondering where the T-rex comes in. Well, I clearly remember being SO stoked we were playing there because my completely irrational dream-brain conflated Universal Studios with Wild Rivers. There is definitely no Jurassic Park ride at the waterpark, but you can understand my confusion as it is a logride style deal.
Regardless, we were just starting to plug in when Brent starts singing the breakdown to Radar Love by Golden Earring. I think it was the section “No more speed I’m almost there...” So I’m supposed to be playing those little lead licks that go in between Brent’s words, but my guitar won’t work. When I look down to inspect it, it’s my guitar but it isn’t. It looks just like my real life model, minus some subtle aesthetic differences that recall cheap overseas knock-offs.
Not only is it just a little bit off, but it feels completely different. I’m stressing hard and trying to get the right tone when suddenly the sound begins cutting out. Simultaneously the acrid smell of an electrical fire wafts into my nostrils. Whipping around I notice that this foreign amp I’m apparently borrowing is quickly turning into a gooey, smoking glob of molten techno-death. Rushing to put out the flames, the tent we’re in is suddenly completely upturned. A gargantuan toothy maw slowly lowered toward me—it was the DAMN T-REX! With a hideous roar it began to charge when BOOM! Morning. Rain. Headache. Leather couch.
I hope this discussion of my dreams lead to a deeper understanding of my strange psyche. I myself am quite curious as to what it says about my subconscious…but anyway, if not completely revelatory, at least I hope it helped you mentally escape your cubicle or procrastinate in whatever way you desired when you clicked this!
‘Til next time,
NP
Not Very Superstitious
As the title may suggest, I’m not the most superstitious of people. I don’t really believe in good luck, or bad luck, or mystic symbols that predetermine your life.
Or do I?
When I was a young boy I hated the white spot in my hair, because I often got teased on the “Big Toy” (shout out to anyone from George White Elementary) for looking like an old man. I took a pair of those elephantine Fiskers and tried to snip the little oval of white off of my head. Unbeknownst to me at the time, doing this in the mirror takes more coordination and spatial thinking than a six year old is usually capable of. Try it yourself if you think I lie! My little mind didn’t realize how futile trying to cut out something that would just grow back was, so eventually I gave up and my frustration steamed out of me like a thin vapor.
Over the years my hatred of this separating mark turned into a sort of appreciation. Maybe this was one of the stepping stones in my life helping me to accept things I can’t change, or to look at the world more positively? Regardless, I realized that just because my mark signified difference, it didn’t mean it was a negative difference. In fact, I became aware that my white hair is a fateful mark.
Now, don’t go thinking I’m some kinda crazy hippy. Well….I sort of am….but hear me out. That very same playground insult from second grade was actually a compliment—though seven year olds lack the foresight to see this. Besides setting me apart as a representation of my uniqueness, I also like to think my white spot is an indicator of wisdom beyond my time. If I was Hindu, I might claim that my reincarnation was somewhat botched.
Anyway, just thought I’d share these notions with you…I hadn’t really thought of myself critically this way until college. Being an English major (I don’t need to do Music…I’m already doing it haha), I’m doing so much close analysis of theme and symbolism that I can’t help but let it spill into my real life. I know in reality that having a lack of pigmentation in my scalp doesn’t directly affect anything…but if I were a character in a novel or a song, you’ve gotta know that the writer decided to give me a white streak for a reason.
To tie it all up I thought I’d add this badass video of Stevie Wonder playing Superstition on Sesame Street. Play me out, Stevie!
Tales from the Unequipped Part 1
This is just the start of a series I hope to keep going on this blog here at thatwasthenmusic.com! While I’m sure the content may evolve over time, my initial goal is just to bring you some behind the scenes tales from our gigging adventures all across this city of flippant angels.
TODAY in Part 1, I’m going to share with you this little heartwarming anecdote from our King King show last night—besides the story of how one fan, Ryan Healy, with the help of his girlfriend, Tori, helped donate two garbage bags full of toys to needy children this season. Oh also to get in for free. The cheap bastards.
Anyway, as I was saying… There we were in the middle of our as-yet-unreleased booty shaker, Girl You Don’t Have It. I was rocking all over the place…and I mean that quite literally. In fact, I’m sure at some point some actual rolling occurred. No pun.
Like I said, we’re jammin’ like the Marley song, coming up to the second verse where I play that funky, stuttering riff completely by myself as an interlude, when all of a sudden my volume just cuts out. It took me a couple of seconds to actually realize I was getting nothing, and then valuable more precious time to check my gear for some sort of operator error. It seemed I was getting no power, no electricity!
I couldn’t solve it in time, and OH NOOOOOO! the solo part came up and no guitar came out. This is where the behavior reminiscent of the end of It’s A Wonderful Life came in. All my band mates rushed to my aid, a cappella, mashing on invisible guitars and shouting out the absent part. It was reassuring enough to know that my ‘mates were supporting me during my time of technological crisis, but as I craned my head to look out into the crowd I saw half of the attendees rocking their mouths along as well.
I must tell you, there is no more satisfying feeling.
Eventually I got it fixed and joined in on the next chorus, but I won’t forget the way the whole room just came together and was in sync for one sweaty, glorious, and fleeting fragment of time.
——————————–
And this concludes Part one of TALES from the UNEQUIPPED!
Stay tuned for more juicy tidbits, readers! (of note: What the hell is a tid? And why has it been verbally dissected into small pieces?)
—NP—
Nicky P is moving!
Hah, just thought I’d shock you. Truth is, my parents are just moving 40 miles south to Carlsbad at the start of summer next year. Even though by all accounts I’m an adult and I can do what I want, it’s still upsetting. Just goes to show you can’t really make assumptions about things. Being the bard that I am, I just had to write a song about it. Here is the incomplete version, I’ll explain more once I am magically teleported to your computer screen…!
(lyrics after the jump)
Purple sapling in the yard,
it’s been 5 years it struggled hard.
Now I’ll never see it grow,
and if it does I’ll know it was without me
I walked here before I could drive,
so many “firsts,” we took the dive
I didn’t know how soon the “lasts” would come…
Well, now it’s done.
When we were young we would whisper of the day
needles would rain down and burst the bubble
that made us stay
But now, how to say goodbye
to Laguna?
Comment with any questions, comments. Much love!
—Nicky P—
Nicky P’s First Journal
November 22, 2009
These Cons are far too clean for my liking, I think, as I gingerly remove them from their cardboard coffin. Then again, many things these days are just too much. There are too many half-full beers, “fallen soldiers” scattered atop a table I got for free from this aging sorority chick who was moving out of the place downstairs. My ice box of a room smells much too much like cigarette smoke from some name-forgotten guest that I drunkenly let indulge indoors, but the aroma is dominated by the richer scent of its big brother, the cigar. Mr. Sinay arrived at the apartment complex (what an appropriate name) near the witching hour, decked in a tux jacket I had lent him earlier to fight off the cold. It was too big for my gangly frame, but on him it fit well and didn’t even reek of overdressing. Dangling from his mouth was the locomotive cigar. It’s odd—amongst my friends I have been known as the guy who doesn’t smoke cigarettes. Despite this, I took a couple puffs from Brenton’s mouthpiece like I was one of the bad boys in Pinnochio. What in my mind distinguishes cigars from cigarettes? Besides the cute French ending, I guess it must be the addictiveness. Then again, I am more or less addicted to other things that many people claim to be impossible to abuse. I’ll allow your mind to fill in the blanks on that one.
So, as I was saying, here I am amongst a pile of sort-of-metaphorical rubble, typing away as if the faster my fingers move the less cold I will be. As expected, this doesn’t work. At least my dimwitted Mac offers a convenient refuge from Poetry Homework. How ironic that my mode of escape from English is writing? Eh. I could’ve played guitar, too, but having done that all day I’m somewhat riffed out. Gasp! Nick Papageorge, Nicky P himself, TIRED of playing guitar?! Not really; actually, I could go for a nice jam at the moment (and I am not referring to the strawberry variety). Thing is, I’ve felt inspired recently to react differently to certain emotional input. My vagueness is just maddening isn’t it? Anyhow, this is how it started. Yesterday the aforementioned Brenton Sinay and I had a totally legal beer at the dingy and lazily misnamed bar across from my arctic tree house, Maloney’s. I don’t know what my deal is, but I suppose it takes a couple of repetitions before something is hammered into my brain as truth. One of his usual motivating rants got me thinking—there is just SO much that Future Me is missing out on. I am a forgetful person by nature, but the stuff that goes on around me, even the most miniscule, insignificant event, shouldn’t be forgotten. If I write it down I capture it, I contain it, I control it, I own it. And now this is a part of my consciousness, or should I say our collective consciousness, dear reader.
Just you wait.
__—NP—__








